In my listening, I always seem to loop back to Four & More, a 1964 live concert recording of the Miles Davis Quintet featuring tenor saxophonist George Coleman and the young rhythm-section of Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums).

The trajectory of my listening behaviour has always been eclectic and dependent upon the type of music to which I had access, whether I was being ornery, whether I was trying to learn something, or whether I needed a soundscape to inspire, temper or reflect my emotional state.